Place

Scotland’s Wild Deer Dilemma

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The latest episode of the Paperboats Podcast, released Friday March 07, features author and poet Leonie Charlton.

Leonie lives in Argyll and is currently undertaking a practice-based PhD exploring Scotland’s ‘wild deer dilemma’ through the University of the Highlands and Islands. Her publications include her debut poetry pamphlet Ten Minutes of Weather Away (Cinnamon Press, 2021), and her travel-memoir Marram (Sandstone Press, 2020), which was Waterstone’s Scottish Book of the Month for April 2022.

Leonie reads an extract from her diary essay ‘Fragments’, which first featured in Issue 1 of the Paperboats Zine and is included in the travel writing anthology There She Goes, edited by Esa Aldegheri and published by Saraband this month. Leonie discusses spiritual ecology, our lost connections with nature, and the way she approaches writing about the more-than-human world. She also talks about her PhD by practice and the conflict of interests inherent in deer management and re-wilding.

I had a very open and meaningful chat with Leonie that offers real insight into her work and the issues she writes about, so please do head to your preferred podcast platform, grab a coffee and take thirty minutes out to give it a listen. And if you enjoy it, follow and subscribe to keep up with all future episodes, released each month across all platforms.

Thank you for taking time to read this, and please do leave a comment if you enjoyed this podcast.

New Writing on THE CLEARING

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‘The screeching increased, and we found the terns now hovering above our heads: dark, piercing eyes glaring down at us, the flash of razored wings folding in on themselves in a sudden flurry of air and feathers as they dove to drive us off. We stumbled on, wary of our footsteps and continually harried by the terns. Eventually we came across a half-collapsed stone dyke and ducked down behind it, leaving the mass of screaming birds behind and feeling guilty for our intrusion.’

Very happy to have some new writing back on THE CLEARING.

It stems from a trip to Orkney in the summer where I had an encounter with an arctic tern colony, and reflects on the draw of the islands and the potential negative impacts of tourism on Orkney’s wildlife.

THE CLEARING is a journal of landscape, nature and place published by Little Toller based in Dorset and edited by Jon Woolcott, author of Real Dorset.

The Flow Country

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EPISODE 2 OF THE PAPERBOATS PODCAST, WITH LINDA CRACKNELL

Episode 2 of the Paperboats podcast with author Linda Cracknell is available from today.

I talk with Linda about Scotland’s Flow Country, her book Doubling Back, and how important walking is to her writing practice.

Linda reads an extract from the new edition of Doubling Back, published by Saraband in May 2024 and a wonderful book exploring a range of diverse landscapes, places, and paths as memory.

Linda also highlights how important the peatbogs of Caithness in Sutherland – now a UNESCO World Heritage Site – are in alleviating the impacts of climate change, and how vulnerable they have been to commercial forestry practices and land misuse. She describes her time spent in the Flow Country in writing the new chapter of her book, her life-long relationship with walking, and the importance of landscape and place to her work. 

Available across all platforms and streaming now, follow and subscribe to keep up with all future episodes.

Check it out at paperboats.org

Sacred Mountain – an autumn equinox walk with BBC Radio Scotland.

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In 2022 I took a walk up everybody’s favourite hill in Aberdeebnshire to witness the autumn equinox sunrise from the summit of Mither Tap – the site of a Pictish hill fort that dominated what was, for the Picts, a sacred landscape.

I wrote an essay about the walk, exploring what the idea of a sacred landscape might mean to us today, which was published on The Clearing – Little Toller’s online journal of Nature, Landscape and Place.

Here I return to the hill as the autumn equinox approached, in the company of BBC Radio Broadcaster Helen Needham. We talk about our connection to landscape and place, and the importance of taking time out from our busy lives to pause and to reflect, and to notice the changing of the seasons.

Extracts from my essay are woven through the recording Helen made as we walked up the hill, following the Maiden Causeway – an ancient track leading to the Pictish fort on the summit of Mither Tap.

You can listen to the podcast here or click on the image above.

And you can read my essay on The Clearing here.

Close Encounters

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Aberdeen’s Castlegate – Image and Copyright Steve Smith

Our relationships with place are nearly always expressed through story, and this is what fascinates me most about what it is that makes a place, a place – the unique community stories that come out of any given location.

For the last 9 months I’ve been working on a pilot project commissioned by Aberdeen City Council through Historic Env. Scotland’s Heritage and Place Programme. The project aims to celebrate, record, and reveal the historic and contemporary stories that make up the Castlegate’s unique sense of place in the east end of Aberdeen city centre, and to capture the social history of the area at a time when the city is on the cusp of change.

I ran a series of community-based workshops exploring local heritage and relationships with place, and, working alongside the project photographer, conducted audio-recorded interviews to capture a sample of individual experiences relating to the Castlegate and its heritage.

We opened an exhibition at Aberdeen Arts Centre to showcase some of the photography for those who feature in the project, and we worked with artist and filmmaker Callum Kellie and a digital surveying and software company to launch an interactive online platform and digital map to house some of the material gathered, which you can explore at the link below.

Close Encounters

We’ve only scratched the surface, but we hope we’ll have opportunity to build on the work done so far to capture a sense of a city that is both informed by its past and working hard to rewrite its future.