I’m proud to be co-editing the next issue of the Paperboats Writers e-zine with author Alex Nye, on the theme of Nature’s Voice.
The zine has featured some fantastic writers over each of the five issues that precede this one – both long-established, well known writers and emerging talent, and we hope to be able to continue to bring this diverse range of voices with our call to speak from the perspective of the more-than-human world at this time of climate and ecological breakdown.
Keep a look out for Issue 6, due out in late autumn 2025. In the meantime, you can catch up on each of the other five, fantastic issues, with the link below.
“Where do the trees end and I begin? Where is the boundary between tree, roots, soil, air, my breathing and thinking and being? It is not just a hippy idea of ‘oneness’, this, a flaky new age folksy feeling that yes, we are all connected, but an intellectual, phenomenological and objective reality. Everything really is whole within the multitudinous, messy complexity of everything.”
The essay explores our deep entanglements with Nature through the presence, folklore and mythology of the wych elm, and reconsiders the false boundaries between the human and non-human worlds. It goes on to ask how we might incorporate the interrelationships we have with Nature in our thinking and planning, bringing in ideas found in ecology and more radical urban design.
Issue 5 of the Paperboats Zine as a whole is on the theme of ‘Our Power – Our Planet’ and is edited by Polly Pullar and Linda Cracknell.
‘Power is addressed in the repercussions of our energy choices, but also in humans working together for common good and in sometimes relinquishing control so other species and habitats can flourish.’
The editors, Paperboats Zine Issue 5.
There is a fantastic range of writing in this issue, by some wonderful writers, with words from:
Margaret Elphinstone, Jonathan Clark, Hayli McClain, Charlie Gracie, Rebecca Stonehill, Anthony McCluskey, Lesley Harrison, Aidan Semmens, Victoria NicIomhair, Donald S Murray, Iona Macduff, Jeff Skinner, Craig Dobson, Angela Gilchrist, Joshua Adam Walker, Owen Gallagher, Kat Hill, Chris Cottom & Sarah Wallis.
“Ian Grosz takes the reader on a journey, often on foot, to the half-hidden spiritual locales of the Don. Replete with historical and archaeological resonance, his journey through road, trail, stream and field is an elemental dance of often elusive elements. Spiritual faith as a palimpsest of earth, rock, water and culture remains a central theme as he leads us through histories of Gaelic saints, Pictish stones, cairns and Aberdeenshire stone circles with their distinctive recumbent stone. Places of transformation and spirituality are never far away from the divine river. The ancient goddess endures in a looping and recursive movement that exists differently from linear formulations of time and space.”
Neil Curtis and Jo Jones, Introduction, Four Rivers, Deep Maps, pp. 21-22.
The book Four Rivers: Deep Maps was published by UWAP and had an official launch early in Nov. There will be a second launch in the UK in the first quarter of 2023. The book has a diverse range of creative and scholarly responses to the two regions of Perth, WA, and Aberdeenshire. My own contribution is reviewed here by Neil Curtis in the book’s introduction:
UK stockists may be available next year, but if that’s piqued your interest, you can order the book directly from the publishers. Click on the image to go direct to UWAP for this and their other titles.
Groundings 