New Essay Published on THE CLEARING

‘I was left breathless by the wind – and the view – and Lewis took on a suddenly different feel: an awe-inspiring island of sense and frightening clarity; a lost world of elements; a dreamed-of place caught between sea and sky.’

A new essay on The Clearing – Little Toller Books’ online journal of Nature, Landscape and Place. 

‘Between Sea and Sky’ comes out of a research trip to Lewis back in 2022 and explores the changing land use on the islands. I met with a modern day crofter who, like many new generation crofters, is moving away from traditional crofting practices and using her land to plant native woodland instead of keeping livestock. She talked movingly about her experience relocating to and living on the islands, and of the deep connection she has found with the land. 

I had a great stay on Lewis and wrote a lot about my time there – it was a homecoming of sorts – a return – having lived in Stornoway for a while back in the mid-noughties. It’s not an easy place to live, especially as an incomer, but it’s a place I keep going back to. 

Thanks as ever to editor Jon Woolcott and to crofter Susanne Erbida for taking time to meet with me during my visit.

You can read the essay through the link below. I’d love to hear what you think of it.

Between Sea and Sky

Close Encounters

Aberdeen’s Castlegate – Image and Copyright Steve Smith

Our relationships with place are nearly always expressed through story, and this is what fascinates me most about what it is that makes a place, a place – the unique community stories that come out of any given location.

For the last 9 months I’ve been working on a pilot project commissioned by Aberdeen City Council through Historic Env. Scotland’s Heritage and Place Programme. The project aims to celebrate, record, and reveal the historic and contemporary stories that make up the Castlegate’s unique sense of place in the east end of Aberdeen city centre, and to capture the social history of the area at a time when the city is on the cusp of change.

I ran a series of community-based workshops exploring local heritage and relationships with place, and, working alongside the project photographer, conducted audio-recorded interviews to capture a sample of individual experiences relating to the Castlegate and its heritage.

We opened an exhibition at Aberdeen Arts Centre to showcase some of the photography for those who feature in the project, and we worked with artist and filmmaker Callum Kellie and a digital surveying and software company to launch an interactive online platform and digital map to house some of the material gathered, which you can explore at the link below.

Close Encounters

We’ve only scratched the surface, but we hope we’ll have opportunity to build on the work done so far to capture a sense of a city that is both informed by its past and working hard to rewrite its future.