events

A Day for Nature

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I was delighted to be a part of the Paperboats e-zine 2 launch which featured in the University of Stirling’s symposium ‘A Day for Nature’, organised by poet and Teaching Fellow Dr Chris Powici to celebrate, and advocate for, the natural world.

The event featured a panel of speakers including conservationists and Nature Writers Polly Puller and Tom Bowser of the Argaty Red Kites project, broadcaster and author Rebecca Smith, historian Dr Catherine Mills, and vice president of the university student Earth and Environment Society Ivet Stancheva. Each of the panelists gave fascinating talks about changes in the landscape over time from their different perspectives with a Q+A.

The Paperboats E-Zine is edited by Chris Powici and Kathleen Jamie and features work by writers from across Scotland and beyond concerned about our mounting ecological crises. The paperboats name and its inclusive, non-disruptive activism, has been inspired by Jamie’s poem written as Scottish Makar in response to the commitments of COP26, where, in the final verse, the poet speaks as the river Clyde.

“I heard the beautiful promises…
and, sure, I’m a river,
but I can take a side.
From this day, I’d rather keep afloat,
like wee folded paper boats,
the hopes of the young folk
chanting at my bank,
fear in their spring-bright eyes
so hear this:
          fail them, and I will rise.”

You can read the full poem here.

Despite the promises made, our politicians are failing us, and Paperboats aims to send a message on Thursday 23rd November 2023 by gathering outside the Scottish Parliament to deliver 1000 Paperboats, 1000 Climate Hopes, to demand that MSPs of all parties come together to deliver on their promises and a just transition to green energy.

The event will feature poetry from Kathleen Jamie and music from Karine Polwart.

To read the Paperboats E-Zine, go to Paperboats Writings.

Practicing Place

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One of the great things about researching something academically as well as creatively, is that you get to geek out over your topic at the occasional conference, and I’m really looking forward to attending a conference next week at the University of Eichstätt-Ingolstadt’s Practicing Place Centre in Bavaria.

The conference is multi-disciplinary in nature and focuses on the different ways we practice and make place: ways of ‘doing’ and being. The key note speaker is the renowned geographer Tim Creswell, who is also a published poet with a PhD in creative writing. My creative exploration of landscape and place is underpinned by some of the thinking in cultural geography as well as anthropology, so I’m very interested to hear and to learn from Tim’s opening presentation covering the theme of Routes.

My own presentation comes as part of the ‘Sensing and Storying’ panel following Tim’s opening address, and draws on some of the thinking in anthropology and cultural geography to explore the idea of the presence of absence in the landscape as one way of approaching an understanding of place.

There are six panels of speakers in total, covering the themes of ‘Sensing and Storying’, ‘Contestations’, ‘Imagining and Creating’, ‘Productions and Reproductions’, and ‘Constructing the City.’ I’ve never been to Germany, and with such a packed couple of days exploring how we make and experience Place, it’s a trip I’m really looking forward to.

You can read more about the conference here. Its output will be subsequently published by the centre.

WayWORD 2022

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I really enjoyed being a small part of WayWORD 2022 this last week: a cross-arts literary festival hosted by the WORD Centre for Creative Writing at the University of Aberdeen. I ran a workshop on writing Landscape and Place which was attended by a lovely group of folk who shared some wonderful writing coming out of the exercises we did. For me, it was a really special opportunity to share my passion and spend time talking about the relationship between landscape and memory, place and story, and to see the different ways in which others tapped into the landscape as a ready resource for their imaginations. I hope to run the workshop again in the future. Thanks go to Helen Lynch and her amazing team, and to the attendees who braved the wet weather to come along.

Deep Wheel Aberdonia

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I’m looking forward to taking part in this symposium on the 04th May at the University of Aberdeen:

Deep Wheel Aberdonia is an event celebrating writing from and about Scottish islands with special guest Harry Josephine Giles, author of recently published verse novel Deep Wheel Orcadia, in which Orkney and its language are taken on a strange science-fiction journey, carving out a radical new space for Scottish writing.

The event will be chaired by Centre co-director Professor David Wheatley and also feature Orcadian poet Ingrid Leonard, who will read from her recently-published pamphlet Rammo in Stenness (Abersee Press). I will be sharing work stemming from my residency at Island Darkroom which explores how Lewis has helped to shape the work of poets Donald MacAulay, Iain Crichton Smith and Derick Thomson.

More details can be found here.