Archipelago 2.3

‘I bend down and trace the outline of each foot in the cool, hardened silt. I can feel the definite impression of the man’s big toe and a ridge of sand that had been pulled up under the ball of the foot as the toes gripped the surface and he pushed his weight forward with each stride. I can feel the outline of the woman’s heel: the rounded edge and then forward into the arch.

“So how old are these prints, again?” I ask. 

“About six-thousand years old,” Burns tells me. “Just in that transition between the Mesolithic and the Neolithic.”‘

From ‘Traces’ Archipelago 2.3 edited by Andrew McNeillie and James Macdonald Lockhart, published by The Clutag Press (2024), pp. 107-115.

To say I’m pleased to have writing in these pages is an understatement. I’ve been following Archipelago for years and to be in it is, well, something. All issues of the journal get archived in the Bodleian Library in Oxford so I could be sitting hidden on a library shelf for many more years, yet…

’Traces’ explores the Mesolithic landscapes of the Sefton coast with archaeologist Dr Alison Burns. We search for prehistoric footprints found in fossilised beds of ancient mud along Formby beach, reconstruct the landscapes and lives of the Mesolithic past, and consider the implications of modern day sea level rise. 

Also in these pages: 

Nicholas Allen, Alex Boyd, Julie Brook, John Bryant, Moyà Cannon, George Chamier, Claire Connolly, Tony Crowley, Gerald Dawe, Tim Ecott, Nick Groom, Kirsty Gunn, Andrew Hadfield, Howell Harris, Ben Keatinge, Angela Leighton, James Macdonald-Lockhart, Edna Longley, Michael Longley, Jamie McKendrick, Garry MacKenzie, Angus Macmillan, Robert Minhinnick, Heather O’Donoghue, Judy O’Kane, John Purser, Alan Riach, Fiona Stafford, Michael Viney, David Wheatley and Lyn Youngson. 

Very humbling company. 

You can order Archipelago direct from The Clutag Press.

The Cusp of Change

As the western calendar year comes to a close, it’s a natural time to look back and reflect on the previous twelve months. It’s been a significant year for me on a personal level. I turned fifty early in the second quarter of 2023 – a significant event for anybody – and I successfully defended my PhD thesis early in November, which marked the culmination of a long process of research, writing and reflection that helped answer questions that have occupied my thoughts for many years: questions of place, of identity, of how the landscape shapes our lives. 

I have been able to explore these questions both creatively and academically, and the submission and accession of my thesis – comprised of a book-length work of creative nonfiction alongside a critical commentary – closes a significant period in my life whilst opening up another. The time spent working toward the PhD signifies a period of deep change and transition: from a former life as a helicopter pilot largely servicing the offshore oil and gas industry toward a new life that places my feet firmly on the ground, encompassing and embracing community and working in a way that is less certain but offers more freedom and is more in line with my values and the aspirations I have now.

This year has been one where I’ve seen hard work begin to pay off and a future direction begin to take shape, replacing the uncertainty that came with the end of a career and dominated my life as I embarked on doctoral study in the midst of a pandemic. It is a year that leaves me feeling hopeful and positive as I go forward, despite all the world-changing events that this same period has also been witness to. 

As a writer, I have seen some of my writing find a home with Stravaig, Hinterland nonfiction magazine and, this coming spring, one of the chapters from my PhD will be published in Archipelago, a literary journal I have long admired. I’m pleased that my approach to questions of place will also feature in an anthology of academic writing through the University of Eichstätt-Ingolstadt’s Practicing Place Centre, due for publication in 2024. I was also very happy to have had writing published in the Paperboats Zine, for which I took part in a launch event at the University of Stirling.

Beyond my own writing, in September I ran an outdoor creative writing workshop, helping people engage with their surroundings and fostering a sense of togetherness. Earlier in the year I became involved with the charity Open Book, running a pilot creative writing group over the spring and summer that has become an established, monthly group as part of Open Book’s Scotland-wide Community Project. Seeing people develop in confidence and find their own voice in a supportive group setting is something that is hugely rewarding and I look forward now to taking the group – just one of many Open Book groups across the country – into 2024.

As I head into the New Year I will also embark on a significant community engagement project, working in collaboration and consultation on commission to explore how people feel about where they live and documenting community story and memory. It’s a role I hope will expand and flourish through 2024 and beyond.

What can we do but go forward? Uncertainty and change will always run side by side with our lives. 2023 has shown me that, on a personal level at least, positive change is possible, and that, if change is needed, it is worth living with the uncertainty that comes with not knowing what the outcomes might be. Despite the fears, taking those first steps toward an uncertain future is important. The change that you walk toward, the change that you need, will find you.

Hinterland – The Climate Special

‘I try to imagine being stuffed into the cages shoulder-to-shoulder with a crowd of men in a duplicate cage above, the rock face racing by inches beyond the open frame as we descend into the mine, leaving the world of light and fresh air behind for a seven-hour shift over half a kilometre underground.’

‘From the Ground, Light’, Hinterland Issue 14, pp. 90-109, p.96.

As COP 28 comes to a close I’m proud to be among the contributors of Hinterland 14 – a climate writing special with wonderful cover art by Nature and Wildlife photographer Tashi R. Ghale, guest edited by Iona Macduff and featuring an interview with author of Marginlands Arita Kumar-Rao.

From the editors:

“Climate change has become a constant presence in our lives, and increasingly inflects our writing. Yet, actively writing about climate change is not easy. The contributors of this Climate Writing special issue have risen to the challenge, whether it’s writing about forest fires in New Mexico, frogs in Australia, rivers in Manchester, or the effects of human activity and the Anthropocene.”

My own contribution ‘From the Ground, Light’ explores the mining heritage of my hometown through the re-landscaped mining grounds of Sutton Manor Colliery and the experiences of a former miner. It reflects on our complex relationships with the landscape and the heritage of our industrial past, but also on the impacts of climate change, our ongoing reliance on fossil fuels, and our failure to transition to green energy.

Hinterland Instagram post on my piece, HERE.

Also featuring work from Alison Baxter, Joe Fenn, Tamsin Grainger, David Howe, Rita Issa, Clara Kubler, Wendy Johnson, Iona Macduff, Meg Mooney, Millie Prosser and Joe Shute, with photography by Tashie R. Ghale

Order Hinterland 14 here.

The Don: A Sacred River

“Ian Grosz takes the reader on a journey, often on foot, to the half-hidden spiritual locales of the Don. Replete with historical and archaeological resonance, his journey through road, trail, stream and field is an elemental dance of often elusive elements. Spiritual faith as a palimpsest of earth, rock, water and culture remains a central theme as he leads us through histories of Gaelic saints, Pictish stones, cairns and Aberdeenshire stone circles with their distinctive recumbent stone. Places of transformation and spirituality are never far away from the divine river. The ancient goddess endures in a looping and recursive movement that exists differently from linear formulations of time and space.”

Neil Curtis and Jo Jones, Introduction, Four Rivers, Deep Maps, pp. 21-22.

The book Four Rivers: Deep Maps was published by UWAP and had an official launch early in Nov. There will be a second launch in the UK in the first quarter of 2023. The book has a diverse range of creative and scholarly responses to the two regions of Perth, WA, and Aberdeenshire. My own contribution is reviewed here by Neil Curtis in the book’s introduction:

UK stockists may be available next year, but if that’s piqued your interest, you can order the book directly from the publishers. Click on the image to go direct to UWAP for this and their other titles.