climate emergency

Nature’s Voice

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I’m very proud to have co-edited Issue 6 of the Paperboats Writers E-Zine alongside Alex Nye.

The issue incudes such a great range of thought-provoking writing by a diverse group of wonderful writers, all responding to the issue theme of ‘Nature’s Voice’ in inspiring and imaginative ways. 

In poetry and prose, our contributors bear witness to the vulnerability of birds and other animals; the human impacts on climate and environment; hear the imagined song of trees; give voice to glaciers and storms, mosses and lichen. We learn of grass-roots efforts to respond to the threat of extinction, and we recognise the need to pause and to listen, to take note and act before it is too late.

We are particularly delighted to feature specially commissioned work by poet, artist and curator, Madhu Raghavendra, who was awarded the Charles Wallace Writing Fellowship at Stirling University in 2024.His opening poem ‘Orbit’ sets the scene and encapsulates the themes of this issue perfectly.

Please do grab a cuppa and enjoy a great read by going to the link below.

Nature’s Voice

Latest Paperboats Podcast Live

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In the latest episode of the Paperboats Podcast I speak with naturalist, photographer and nature writer, Polly Pullar.

Polly talks about her early life growing up in Ardnamurchan on the west coast of Scotland, how her love of nature and wildlife brought her solace through a difficult period and continues to inspire her passionately today. She discusses the plight of Scotland’s wildlife under the pressures of climate change and habitat loss, and reads from her Paperboats Zine piece, ‘A Solan Goose Summer,’ which highlights how climate change, the avian bird-flu epidemic, and increasing food scarcity is threatening this wonderful seabird.

Polly has regular columns in numerous magazines including The Scots Magazine and BBC Wildlife Magazine, and features in the Paperboats Zine. Her most recent book, The Horizontal Oak – A Life in Nature, was published by Birlinn in 2022. 

I had a great chat with Polly. Her love of nature and her zest for life is infectious, so I hope you’ll give this episode a listen, and if you enjoy it, please do like and subscribe! 

If you’re concerned about climate change, want to delve further into the issues surrounding it, and like great writing, the Paperboats Podcast brings you a host of fantastic nature writers. 

Find it on your preferred platform or head to Paperboats Podcasts and follow the links from there.

Enjoy.

New Writing on THE CLEARING

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‘The screeching increased, and we found the terns now hovering above our heads: dark, piercing eyes glaring down at us, the flash of razored wings folding in on themselves in a sudden flurry of air and feathers as they dove to drive us off. We stumbled on, wary of our footsteps and continually harried by the terns. Eventually we came across a half-collapsed stone dyke and ducked down behind it, leaving the mass of screaming birds behind and feeling guilty for our intrusion.’

Very happy to have some new writing back on THE CLEARING.

It stems from a trip to Orkney in the summer where I had an encounter with an arctic tern colony, and reflects on the draw of the islands and the potential negative impacts of tourism on Orkney’s wildlife.

THE CLEARING is a journal of landscape, nature and place published by Little Toller based in Dorset and edited by Jon Woolcott, author of Real Dorset.

Podcast on Writing about Nature and Environment launched today

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I’ve been working with Paperboats Writers and Station House Media Unit (SHMU) on a new monthly podcast launched officially today!

If you’re not familiar with Paperboats Writers, they’re a fantastic group of writers working across Scotland (and beyond) to highlight the impacts of climate change, the ecological collapse we’re all witness to, and the things we can do to help bring about positive change.

In each episode I meet with a different writer from the Paperboats collective. We discuss their work, and the issues they write about.

In Ep.1 I talk with Paperboats co-founders, author Sandy Winterbottom and Scots writer and poet Elaine Morrison.

We hear Scotland’s Makar Kathleen Jamie (National Poet for Scotland 2021 – 2024) read her inspirational poem ‘What the Clyde Said, After Cop 26’, discuss the formation of Paperboats Writers, the importance of a Just Transition, and the work of Global Justice Now and the Scottish Rewilding Alliance.

In upcoming episodes I’ll be talking with author Linda Cracknell about the Flow Country and her book Doubling Back, and with Nature Writer and photographer Polly Pullar about the plight of the gannet and Polly’s life-long relationship with wildlife.

Many more fantastic Nature Writers to feature in the coming months, so I hope you’ll give it a listen, and follow and subscribe to keep up with future episodes.

Available on Spotify, Amazon, Apple and YouTube.

Hinterland – The Climate Special

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‘I try to imagine being stuffed into the cages shoulder-to-shoulder with a crowd of men in a duplicate cage above, the rock face racing by inches beyond the open frame as we descend into the mine, leaving the world of light and fresh air behind for a seven-hour shift over half a kilometre underground.’

‘From the Ground, Light’, Hinterland Issue 14, pp. 90-109, p.96.

As COP 28 comes to a close I’m proud to be among the contributors of Hinterland 14 – a climate writing special with wonderful cover art by Nature and Wildlife photographer Tashi R. Ghale, guest edited by Iona Macduff and featuring an interview with author of Marginlands Arita Kumar-Rao.

From the editors:

“Climate change has become a constant presence in our lives, and increasingly inflects our writing. Yet, actively writing about climate change is not easy. The contributors of this Climate Writing special issue have risen to the challenge, whether it’s writing about forest fires in New Mexico, frogs in Australia, rivers in Manchester, or the effects of human activity and the Anthropocene.”

My own contribution ‘From the Ground, Light’ explores the mining heritage of my hometown through the re-landscaped mining grounds of Sutton Manor Colliery and the experiences of a former miner. It reflects on our complex relationships with the landscape and the heritage of our industrial past, but also on the impacts of climate change, our ongoing reliance on fossil fuels, and our failure to transition to green energy.

Hinterland Instagram post on my piece, HERE.

Also featuring work from Alison Baxter, Joe Fenn, Tamsin Grainger, David Howe, Rita Issa, Clara Kubler, Wendy Johnson, Iona Macduff, Meg Mooney, Millie Prosser and Joe Shute, with photography by Tashie R. Ghale

Order Hinterland 14 here.