The latest podcast from the postgraduate community at Aberdeen University’s School of Language, Literature, Music and Visual Culture where I interview author Eden Unger Bowditch with fellow creative writer Jane Hughes.
Eden talks about her novel in progress Two-Hundred-and-Fifty Years at Home and her thesis Fields of Meaning which examines the role of ambiguity in the literary text. You can listen to it through clicking on the image above or find it on your preferred podcast platform.
I’m a day late for International Women’s Day, but this collection of great books by wonderful women authors all offer thoughtful and enlightening perspectives on landscapes, belonging, and the nature of home and homelands. I was lucky enough to hear Chitra Ramaswamy, Kerri Andrews and Amanda Thomson read and discuss their work at Pitlochry Theatre’s Winter Words Festival last month, and I’ve been following the trajectory of Pamela Petro’s The Long Field since being published, with a new paperback edition just out.
Kerri’s entertaining, funny and at times, moving book, re-writes the canon on mountain literature, and the place of women writers within it, while Pamela Petro’s Long Field is a deep exploration of longing, language and identity. Amanda Thomson’s book weaves personal narratives of place and self through the forests of Abernethy, and Chitra Ramaswamy’s book is an exploration of borders and identities through a poignant and very moving account of her long standing friendship with two Holocaust survivors.
Each of these books explore place and identity in different ways, and speak to us at a time when both of these things are at the fore in the national and global narratives that are reshaping our world.
Great books by great women writers.
“Ian Grosz takes the reader on a journey, often on foot, to the half-hidden spiritual locales of the Don. Replete with historical and archaeological resonance, his journey through road, trail, stream and field is an elemental dance of often elusive elements. Spiritual faith as a palimpsest of earth, rock, water and culture remains a central theme as he leads us through histories of Gaelic saints, Pictish stones, cairns and Aberdeenshire stone circles with their distinctive recumbent stone. Places of transformation and spirituality are never far away from the divine river. The ancient goddess endures in a looping and recursive movement that exists differently from linear formulations of time and space.”
Neil Curtis and Jo Jones, Introduction, Four Rivers, Deep Maps, pp. 21-22.
The book Four Rivers: Deep Maps was published by UWAP and had an official launch early in Nov. There will be a second launch in the UK in the first quarter of 2023. The book has a diverse range of creative and scholarly responses to the two regions of Perth, WA, and Aberdeenshire. My own contribution is reviewed here by Neil Curtis in the book’s introduction:
UK stockists may be available next year, but if that’s piqued your interest, you can order the book directly from the publishers. Click on the image to go direct to UWAP for this and their other titles.
Delighted to be included on the Scottish Book Trust’s Author Listings, which means that I can now be hired through the Live Literature Scheme for workshops and events.
You can read my listing through the link below:
Happy to have work back in Southlight magazine having contributed to two previous issues. There will be a live reading event at The Yellow Door Gallery in Dumfries on June 11th at 6.00pm with actual people! Sadly I won’t be able to make it, but I hope anyone in the Dumfries area will call in and listen to the work of the other contributors present; and please do pick up a copy, either on the day or through Southlight’s own website. The issue is full of great writing by some well-known Scottish writers including the prolific Margaret Elphinstone and writer and poet Hugh McMillan along with many others, not to mention a forward by editor Vivien Jones. My own contribution is an essay with accompanying images which continues an exploration of Lewis stemming from my residency with Island Darkroom in February and first appeared in abridged form in Elsewhere: A Journal of Place.
Groundings 