Residencies

New Essay Published on THE CLEARING

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‘I was left breathless by the wind – and the view – and Lewis took on a suddenly different feel: an awe-inspiring island of sense and frightening clarity; a lost world of elements; a dreamed-of place caught between sea and sky.’

A new essay on The Clearing – Little Toller Books’ online journal of Nature, Landscape and Place. 

‘Between Sea and Sky’ comes out of a research trip to Lewis back in 2022 and explores the changing land use on the islands. I met with a modern day crofter who, like many new generation crofters, is moving away from traditional crofting practices and using her land to plant native woodland instead of keeping livestock. She talked movingly about her experience relocating to and living on the islands, and of the deep connection she has found with the land. 

I had a great stay on Lewis and wrote a lot about my time there – it was a homecoming of sorts – a return – having lived in Stornoway for a while back in the mid-noughties. It’s not an easy place to live, especially as an incomer, but it’s a place I keep going back to. 

Thanks as ever to editor Jon Woolcott and to crofter Susanne Erbida for taking time to meet with me during my visit.

You can read the essay through the link below. I’d love to hear what you think of it.

Between Sea and Sky

Nature Micro-stories

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I feel very lucky to have spent a couple of days earlier this month at Elmley Nature Reserve on a small writing commission.

Such a wonderful reserve – an island haven for nature on Sheppey, fringed by industry and urban development. But it’s a place of distant horizons and big skies, amazing insect, bird and plant life, and fascinating history.

I’ve been writing about hares and the Bronze Age, an abandoned Victorian school and its resident Little Owls, elm trees and Elmley Hill, the Mesolithic and medicinal meadows – all for an illustrated booklet alongside 3 other writers to help visitors connect with the reserve, its habitats and wildlife. There was so much to try to capture and contain and lots of notes to go through, but I’m looking forward to seeing the final results, including illustrations by the wonderful Kate Winter.

It’s a long journey to-from rural Aberdeenshire but worth it. It’s not often we get chance to connect with nature in such an immersive way, and to be spoiled by the kind of hospitality shown to me during my visit. If you’re ever visiting the busy SE, do take time to include the reserve – some of our rarest species hang on there, all with the support of the staff who have turned Elmley into the refuge it has become.

I’ll be posting links up to the finished booklet / micro-stories when the project concludes.

The Moor, the Sea, the Sky

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I’m delighted to have an essay included in the latest issue of Stravaig: an online journal for the Scottish Centre for Geopoetics.

Based on the thinking and writings of Kenneth White, the centre describes Geopoetics as being ‘deeply critical of Western thinking and practice over the last 2500 years and its separation of human beings from the rest of the natural world, and proposes instead that the universe is a potentially integral whole, and that the various domains into which knowledge has been separated can be unified by a poetics which places the planet Earth at the centre of experience.

It seeks a new or renewed sense of world, a sense of space, light and energy [and] also seeks to express that sensitive and intelligent contact with the world by means of a poetics i.e. a language drawn from a way of being which attempts to express reality in different ways e.g. oral expression, writing, visual arts, music, and in combinations of different art forms, sciences and thinking.’

Geopoetics is by nature, interdisciplinary, and engages with a broad range of practitioners in the arts and sciences, bringing ways of expressing the world together through both the journal and regular symposiums, seminars, workshops and retreats.

My essay ‘The Moor, the Sea, the Sky’ is a development of earlier work first featuring on Elsewhere: A Journal of Place in 2022, and comes out of my residency with Island Dark Room in the February of that year as part of my wider PhD research. It explores the moorland of Lewis both symbolically through the work of Lewis poet Iain Crichton Smith, and viscerally through my own experience in context with the thinking of anthropologist Tim Ingold.

You can read the essay by downloading Stravaig 13 here.

New Essay on The Clearing

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‘I can hear the distant sound of the ocean, smell the ozone in the air and feel the fine mist of salt-spray against my skin.’

A new short essay on The Clearing: A Journal of Nature, Landscape and Place published by Little Toller Books. The essay takes the reader to Luskentyre in southwest Harris in the Outer Hebrides, exploring its origins and the forces still at play there, set against the ever burgeoning problems of climate change. I visited Luskentyre during my winter residency with Island Darkroom back in February. The essay is a much abridged extract from a chapter in my longer work-in-progress that forms part of my PhD. Thanks go to Jon Woolcott for his expert editorial input, and to Little Toller for hosting such a great online journal. I hope you enjoy the essay’s evocation of Luskentyre’s sense of place and time, which you can read here.

Island Darkroom Exhibition

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From July 22nd 2022, there will be an exhibition of work created by the Winter Artists in Residence hosted by Island Darkroom over early 2022.

Photographs taken during my research time on the island as part of my own residency will feature in the exhibition along with my thoughts and reflections following my stay. The research was for my PhD and the book that will hopefully come out of it, charting a journey back through the places that have featured in my life to better understand how the landscape can shape a sense of who we are. I was honoured that Island Darkroom drew on some of my writing for the title of the exhibition, and the work featured as a whole seems to chime with this theme. 

If you’re in the Western Isles between 22nd July and 20th September, be sure to call in and check it out, with four international artists sharing exhibition space besides my own contribution.

You can find out more about the exhibition and the other events taking place at Island Darkroom by visiting their website and signing up to their newsletter, here.