history

Talking to…

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“I’m interested in history because it informs the present and can help guide how we respond to the future. I’m not interested in history for history’s sake, or heritage for heritage’s sake. What interests me are the stories they tell us about who we are and how we got here.”

I was invited to talk with Open Road recently for their ‘We’ve been talking to…’ blog series, and had a great chat with Dr Lucy Stroud about who I am (ain’t that a difficult one…), what I do, what stories I think are important to preserve from the past, and what I hope for the future.

Open Road are a great organisation, pulling together stories, places, and communities.

You can find out more about Open Road and read the interview here.

The Weight of Quiet Things

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It’s great to see this anthology come into the world and to have a contributing essay within its pages.

Published by the wonderful Arkbound UK,’The Weight of Quiet Things gathers essays, stories and poems that explore the deep, enduring relationship between the Scottish landscape and its people.’ Edited by Bridget Reaume, this is a collection ‘about what we take from the land, what the land takes from us and the weight of what remains.’

My essay ‘A Bridge to Nowhere: Land Use and Misuse on the Isle of Lewis’ comes out of a return visit to the Isle of Lewis where I lived for a time in the early noughties. As an incomer, I wanted to understand more about the island’s history and culture, and how the legacies of the past continue to shape its identity today. An abandoned bridge project spearheaded by Lord Leverhulme as part of his ambitious plans to commercialise the islands in the years following WWI seemed emblematic of both the misplaced good intentions of the outsider and the spirit of the islanders themselves. 

The collection is published in April but you can order ahead at the presale link below:

The Weight of Quiet Things Presale

New Essay Published on THE CLEARING

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‘I was left breathless by the wind – and the view – and Lewis took on a suddenly different feel: an awe-inspiring island of sense and frightening clarity; a lost world of elements; a dreamed-of place caught between sea and sky.’

A new essay on The Clearing – Little Toller Books’ online journal of Nature, Landscape and Place. 

‘Between Sea and Sky’ comes out of a research trip to Lewis back in 2022 and explores the changing land use on the islands. I met with a modern day crofter who, like many new generation crofters, is moving away from traditional crofting practices and using her land to plant native woodland instead of keeping livestock. She talked movingly about her experience relocating to and living on the islands, and of the deep connection she has found with the land. 

I had a great stay on Lewis and wrote a lot about my time there – it was a homecoming of sorts – a return – having lived in Stornoway for a while back in the mid-noughties. It’s not an easy place to live, especially as an incomer, but it’s a place I keep going back to. 

Thanks as ever to editor Jon Woolcott and to crofter Susanne Erbida for taking time to meet with me during my visit.

You can read the essay through the link below. I’d love to hear what you think of it.

Between Sea and Sky

Talking About Old Stones

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I had the very real privilege of presenting a paper at The Lithic Gathering organised by the wonderful Scholars of the Stones research group on Friday May 16.

There was a truly inspiring range of multidisciplinary responses, covering ritualistic practices, sensory investigation through sound, film and haptic interpretation, the reframing of narratives surrounding sacred stone structures, and artistic and aesthetic reframing through storytelling and architecture.

Drawing on work in post-processual and cognitive archaeology, my own paper – ’This is Our Place: Narrative and Interpretation at the Callanish Standing Stones’ explored the different narratives and interpretations surrounding the complex at Calanais on Lewis in the Outer Hebrides, suggesting that the monuments are a product of cosmological modelling as well as local identity.

A symposium is always a temporary community bringing different scholars and practitioners together through shared themes, but this felt like something broader and deeper – a day as much about time and connection and empathy as it was about stone. It was great to feel among friends and to play a small part in such a thought provoking day.

The Lithic Gathering is part of The Stones Project at Manchester Metropolitan Univeristy’s School of Gothic Studies and is led by Dr Fiona Barber with Drs Beccy Kennedy-Shtyk, Hannah Singleton and Martha Lineham.

Sacred Mountain – an autumn equinox walk with BBC Radio Scotland.

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In 2022 I took a walk up everybody’s favourite hill in Aberdeebnshire to witness the autumn equinox sunrise from the summit of Mither Tap – the site of a Pictish hill fort that dominated what was, for the Picts, a sacred landscape.

I wrote an essay about the walk, exploring what the idea of a sacred landscape might mean to us today, which was published on The Clearing – Little Toller’s online journal of Nature, Landscape and Place.

Here I return to the hill as the autumn equinox approached, in the company of BBC Radio Broadcaster Helen Needham. We talk about our connection to landscape and place, and the importance of taking time out from our busy lives to pause and to reflect, and to notice the changing of the seasons.

Extracts from my essay are woven through the recording Helen made as we walked up the hill, following the Maiden Causeway – an ancient track leading to the Pictish fort on the summit of Mither Tap.

You can listen to the podcast here or click on the image above.

And you can read my essay on The Clearing here.