book launch

The Weight of Quiet Things

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It’s great to see this anthology come into the world and to have a contributing essay within its pages.

Published by the wonderful Arkbound UK,’The Weight of Quiet Things gathers essays, stories and poems that explore the deep, enduring relationship between the Scottish landscape and its people.’ Edited by Bridget Reaume, this is a collection ‘about what we take from the land, what the land takes from us and the weight of what remains.’

My essay ‘A Bridge to Nowhere: Land Use and Misuse on the Isle of Lewis’ comes out of a return visit to the Isle of Lewis where I lived for a time in the early noughties. As an incomer, I wanted to understand more about the island’s history and culture, and how the legacies of the past continue to shape its identity today. An abandoned bridge project spearheaded by Lord Leverhulme as part of his ambitious plans to commercialise the islands in the years following WWI seemed emblematic of both the misplaced good intentions of the outsider and the spirit of the islanders themselves. 

The collection is published in April but you can order ahead at the presale link below:

The Weight of Quiet Things Presale

Practicing Place

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Some of the output of the critical component of my PhD project is a chapter in this book of collected essays, edited by Sarah Earnshaw and published just this month by Palgrave Macmillan:

Cultural Practices of Place.

Things take a long time in academia and it’s great to see this out in the world three years on from its origins at the ‘Here, There, and Somewhere In-between: Practicing, Placing, Configuring’ conference at the Practicing Place Centre, University of Eichstätt-Ingolstadt, in November 2022.

The collection pulls together contributions from literature and the humanities, the social and political sciences, and cultural studies, to offer a truly multidisciplinary examination of the different ways place features, and is expressed, in our lives.

Cultural Geographer Tim Creswell, writes in the Afterword:

‘Collectively, these essays make it clear that thinking about place, and specifically its links to practice, is an intellectually ongoing business that brings a conceptual and political liveliness to the ways we contemplate and act in the world.’

Place for me is at the heart of things, and my contribution explores the methodology of relating place to self through a creative practice and others’ lived experience.

From the Introduction by Sarah Earnshaw:

‘Ian Grosz […] embarks upon an interdisciplinary reflection on his autoethnographic creative writing practice in Chapter 9 to explore the role of landscape in individual and collective senses of place, and thus, in the formation of identity […] Weaving perspectives from social scientific literature with [British] nature writing alongside his personal narrative with the stories of interview partners, Grosz’s contribution exemplifies the dynamic and relational practices of place through an inquiry on the bread and butter of knowledge production—narrative writing, the stories we tell and share.’

I feel very privileged to feature in this collection of essays and to have met the people in and behind its publication.

Hinterland – The Climate Special

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‘I try to imagine being stuffed into the cages shoulder-to-shoulder with a crowd of men in a duplicate cage above, the rock face racing by inches beyond the open frame as we descend into the mine, leaving the world of light and fresh air behind for a seven-hour shift over half a kilometre underground.’

‘From the Ground, Light’, Hinterland Issue 14, pp. 90-109, p.96.

As COP 28 comes to a close I’m proud to be among the contributors of Hinterland 14 – a climate writing special with wonderful cover art by Nature and Wildlife photographer Tashi R. Ghale, guest edited by Iona Macduff and featuring an interview with author of Marginlands Arita Kumar-Rao.

From the editors:

“Climate change has become a constant presence in our lives, and increasingly inflects our writing. Yet, actively writing about climate change is not easy. The contributors of this Climate Writing special issue have risen to the challenge, whether it’s writing about forest fires in New Mexico, frogs in Australia, rivers in Manchester, or the effects of human activity and the Anthropocene.”

My own contribution ‘From the Ground, Light’ explores the mining heritage of my hometown through the re-landscaped mining grounds of Sutton Manor Colliery and the experiences of a former miner. It reflects on our complex relationships with the landscape and the heritage of our industrial past, but also on the impacts of climate change, our ongoing reliance on fossil fuels, and our failure to transition to green energy.

Hinterland Instagram post on my piece, HERE.

Also featuring work from Alison Baxter, Joe Fenn, Tamsin Grainger, David Howe, Rita Issa, Clara Kubler, Wendy Johnson, Iona Macduff, Meg Mooney, Millie Prosser and Joe Shute, with photography by Tashie R. Ghale

Order Hinterland 14 here.

A Day for Nature

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I was delighted to be a part of the Paperboats e-zine 2 launch which featured in the University of Stirling’s symposium ‘A Day for Nature’, organised by poet and Teaching Fellow Dr Chris Powici to celebrate, and advocate for, the natural world.

The event featured a panel of speakers including conservationists and Nature Writers Polly Puller and Tom Bowser of the Argaty Red Kites project, broadcaster and author Rebecca Smith, historian Dr Catherine Mills, and vice president of the university student Earth and Environment Society Ivet Stancheva. Each of the panelists gave fascinating talks about changes in the landscape over time from their different perspectives with a Q+A.

The Paperboats E-Zine is edited by Chris Powici and Kathleen Jamie and features work by writers from across Scotland and beyond concerned about our mounting ecological crises. The paperboats name and its inclusive, non-disruptive activism, has been inspired by Jamie’s poem written as Scottish Makar in response to the commitments of COP26, where, in the final verse, the poet speaks as the river Clyde.

“I heard the beautiful promises…
and, sure, I’m a river,
but I can take a side.
From this day, I’d rather keep afloat,
like wee folded paper boats,
the hopes of the young folk
chanting at my bank,
fear in their spring-bright eyes
so hear this:
          fail them, and I will rise.”

You can read the full poem here.

Despite the promises made, our politicians are failing us, and Paperboats aims to send a message on Thursday 23rd November 2023 by gathering outside the Scottish Parliament to deliver 1000 Paperboats, 1000 Climate Hopes, to demand that MSPs of all parties come together to deliver on their promises and a just transition to green energy.

The event will feature poetry from Kathleen Jamie and music from Karine Polwart.

To read the Paperboats E-Zine, go to Paperboats Writings.

Four Rivers, Deep Maps UK Launch

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After being published through UWAP in September 2022 and launched initially in Perth, WA, Four Rivers, Deep Maps comes to the UK with a launch event at the University of Aberdeen on Thursday 15th June in the Sir Duncan Rice Library. Click on the image above for details.

The cities – Perth, Australia, and Aberdeen, Scotland – have received relatively little attention as specific geographical–cultural locales. Often perceived as industrial, isolated and lacking romantic association, they nevertheless have rich historical, narrative and creative traditions that characterise interactions between humans and place, particularly along the length of the four rivers.

My own contribution charts the River Don from source to sea, uncovering its ancient sacred associations and exploring how they have shaped the geography and identity of the region through time.

All the contributions of this book are woven together through strands of deep mapping and ideas of place, history and inhabitation. Countercultures seem to return to specific place knowledge that predates industrialisation, whether in the traditional shapes of the Nyoongar knowledge of the Derbarl Yarrigan (Swan River) and Beeliar (Canning River) or the traditions and ancient patterns of Aberdeenshire: we come back to these profound knowledge systems that, in fact, never went away.

Copies of Four Rivers, Deep Maps are in stock at Blackwells and will be available to purchase on the night.